In western society, cities and forests are often seen in terms of an opposition between nature and nurture that continues to influence our collective representations, societal projects and development policies. Throughout history, the ways in which human beings relate to forests have been characterised by a profound ambivalence. As spaces that are both mysterious and disturbing, forests are fascinating and frightening in equal measure. Magical and enchanted places in tales and legends, they also appear as dark, potentially hostile zones. In addition, forests are also viewed through a utilitarian prism. When subjected to the logic of exploitation and management they constitute a precious resource.

Nevertheless, in spite of being transformed into administered spaces, forests continue to embody the image of a world on the margins of civilization, resisting its influence. This idealization of nature comes down through the centuries, passing on the myth of a harmonious primal order predating the corruption of progress. Still today, it inspires artistic imaginations with the idea of a lost golden age.

Similarly, although forest spaces have long been managed and are now frequented mainly for recreational purposes, they continue to be associated with impressions of freedom and feelings of fulfilment. As sanctuaries and breathing spaces, forests retain their Romantic aura, providing artists with a source of contemplation and inspiration.

Situated at the intersection of contemporary ecological, cultural and social issues, forests also constitute a unique subject of study for contemporary sciences. Far from corresponding to a harmonious vision, forest milieux reveal a living and complex world where opportunism and surprising symbiotic relationships abound. Nothing exists on its own in these spaces. Life is woven out of mutual relationships that are constantly influenced by imbalances and adjustments. The resilience of an ecosystem is sometimes ensured by tenuous encounters between species.

Thus, the converging views of anthropology, biology and art now afford us a broader comprehension of the living world. They invite us to reconsider our models of society by extending them beyond the human domain. Together, these approaches pave the way toward a world in which solidarity and mutual assistance supersede competition by showcasing supple and collaborative models.


Clément Minighetti, curator